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The Legend of Zelda: Oracle of Seasons and The Legend of Zelda: Oracle of Ages are two action-adventure games developed by Flagship (a subsidiary of Capcom) and published by Nintendo, the games are part of the latter's The Legend of Zelda series of action-adventure games. The two games were released on February 27, 2001 in Japan, May 14, 2001 in North America, and October 5, 2001 in Europe for Nintendo's handheld console Game Boy Color. They were later re-released on the Virtual Console for the Nintendo 3DS in 2013. The Flagship team later worked with Nintendo, officially part as Capcom this time, the following year for The Legend of Zelda: A Link to the Past & Four Swords and in 2004 for The Legend of Zelda: The Minish Cap.

After experimenting with porting the original The Legend of Zelda to the Game Boy Color, the Flagship team, supervised by Yoshiki Okamoto, began developing three interconnected Zelda games that could be played in any order. The complexity of this system led the team to cancel one game. Both Seasons and Ages were a critical success, and together sold eight million units. Critics complimented the gameplay, colorful designs and graphic quality, but criticized the inconsistent sound quality.

GameplayEdit

The gameplay of Oracle of Seasons and Ages is similar to that of The Legend of Zelda: Link's Awakening, copying basic controls, graphics, and sounds from the Game Boy title. Like most The Legend of Zelda titles, exploration and combat take place from an overhead perspective. Link uses a sword for his primary attack, complemented by secondary weapons and items. Basic items, such as bombs and a boomerang, are common to both games. Some new items are exclusive to one game, usually with a counterpart in the other, with similar uses (e.g. the slingshot in Seasons and the seed shooter in Ages both shoot seeds, while the magnetic gloves in Seasons and the switch hook in Ages are used to access otherwise unreachable areas via special targets). Unlike most Zelda titles, a sword and shield is not always equipped when the player possesses them; they can be assigned like any other item into either of two available slots. Most of each of the games is spent finding the eight Essences (Essences of Nature in Seasons and Essences of Time in Ages), each hidden in a dungeon—a large, usually underground, area containing enemies and puzzles. Each dungeon culminates with a boss that guards the Essence.

When not in a dungeon, Link explores the overworld. In Seasons, the overworld consists of Holodrum and the subterranean world of Subrosia. The two worlds are linked by several portals. In Ages, Link travels between present-day Labrynna and the past, connected by Time Holes. In either game, some areas of one world are accessible only from portals from the other and vice versa. Holodrum, Subrosia, and Labrynna contain optional side quests and upgrades for Link and his equipment. One such side quest is ring collection; rings provide Link with various bonuses and abilities, such as improved defense. Some rings do not have any practical uses, e.g. rings that weaken Link's attack or defense, or transform Link into an enemy creature, or are awarded when certain criteria are met but do not have any effect. Another side quest is the optional trading game, in which Link receives and delivers special items to certain people throughout the land. Once completed, Link receives an upgraded sword.

In both games, there are many circumstances when a previous item can be upgraded into a more useful form. The latter three dungeons in both games will hold a more powerful version of an item received earlier in the game. Both the sword's offensive power and the shield's defensive abilities can be upgraded twice,[1] once through passwords and again through side quests. If Link swings an enhanced sword at full health, a sword-shaped beam will escape from the sword as a ranged attack. The number of bombs and Mystical Seeds that can be held can also be increased through the same ways as the shield and sword. Roc's Feather and the Power Bracelet are special cases, as, while the two are in both games, the former can only be upgraded in Oracle of Seasons while the latter only in Oracle of Ages.

The central item of Oracle of Seasons is the Rod of Seasons. By standing on a stump and swinging the rod, Link can change the season and affect his surroundings.[2] For example, to cross a body of water, Link can change the season to winter and walk on the ice. Changing the season to summer causes vines to flourish, which Link can use to scale cliffs. When Link obtains the rod, he initially cannot use it.[3] In the course of the game, Link visits four towers that house the four spirits of the seasons; each tower Link visits allows him to switch to an additional season.[3]

In Oracle of Ages, the central item is the Harp of Ages, which Link uses to manipulate time and travel between the past and the present.[4] In the course of the game, Link learns three tunes to play on the harp. The Tune of Echoes activates Time Portals at fixed locations; the Tune of Currents enables Link to travel from the past to the present without a Time Portal; the Tune of Ages allows Link to switch between the two time periods at almost any location on the map.

InteractionEdit

Although the two are built on the same game engine, Oracle of Ages concentrates on puzzles, while Oracle of Seasons focuses on action. Each is a complete game capable of interacting with the other, via passwords[5] or a Game Link Cable.[5]

Upon completing either game, players receive a password that can be used to play an alternative version of the other.[5] In this version, some characters mention passwords that can be given to characters in the first game in exchange for an item or upgrade. Then, by taking a new password back into the linked game, the item or upgrade can be transferred.[5] Rings can be traded by this password system or randomly created by connecting two games with a Game Link Cable.[6]

In the alternative version, plot points are changed or expanded upon to allow the game to serve as a sequel. It also features an extended ending in which Twinrova kidnaps Zelda, and lights the third Flame of Despair to revive Ganon.[7] The player can then enter Twinrova's lair and battle Twinrova and Ganon.[7] Upon completing the alternative game, another password is shown that gives the player the Victory Ring, which commemorates the defeat of Ganon.[8]

StoryEdit

Oracle of SeasonsEdit

Seasons begins as the Triforce calls out to Link from within Hyrule Castle. Link approaches it, and is transported to a dark forest where he encounters a traveling group led by a dancer named Din. After Din welcomes Link to Holodrum, the sky becomes covered in black clouds. A voice from the clouds calls Din the Oracle of Seasons and refers to himself as Onox, General of Darkness. A funnel cloud drops from the sky, taking Din into its dark heights. As the tornado dissipates, the seasons of Holodrum fall into disarray and change rapidly.[9]

Din's attendant, Impa, tells Link that they were headed for Hyrule; she instructs him to see the Maku Tree in Horon Village, the capital of Holodrum.[10] Link finds a sword in a cave and makes his way to the tree. The Maku Tree tells Link he will need the eight Essences of Nature and gives him the Gnarled Key, which unlocks the dungeon holding the first Essence. Link retrieves the eight Essences, hidden in eight dungeons throughout Holodrum and Subrosia, and brings them to the Maku Tree. The Maku Tree uses them to create a Huge Maku Seed, a sacred seed that cleanses evil, which allows Link to enter Onox's castle.[11] Link enters the castle, defeats Onox, and rescues Din, who tells him that he is now a true hero and must face a new trial soon.[12] Twinrova, watching the scene remotely, states that the Flame of Destruction has been powered by the havoc Onox has wrought.[13]

Oracle of AgesEdit

As with Seasons, the Triforce calls out to Link. Link is transported to a forest in the land of Labrynna, where he hears screaming. In a clearing, Link finds a woman encircled by monsters. When the monsters see Link, they scatter in all directions. The woman is Princess Zelda's nurse, Impa, who asks Link to help her find a singer in the forest.[14] Continuing through the forest, the two find Nayru, a young woman with blue hair singing on a tree stump, surrounded by forest creatures. A shadow emerges from Impa and reveals itself as Veran, Sorceress of Shadows. Veran soars into Nayru's body and possesses her. Nayru was the Oracle of Ages; her abduction causes a disruption in the time flow of Labrynna.[14]

Link receives a sword from Impa and makes his way to the Maku Tree in Lynna City, the capital of Labrynna.[15] The Maku Tree is killed in the past on Veran's orders; Link uses a time portal to travel to the past to prevent this. The Maku Tree tells Link he will need the eight Essences of Time to defeat Veran. Link sets out to retrieve the eight Essences, hidden in eight dungeons throughout Labrynna's past and present. After getting the sixth Essence, Link is told he has the opportunity to save Nayru. He invades Queen Ambi's castle and removes Veran's spirit from Nayru, but Veran then possesses Queen Ambi. Link gathers the remaining Essences and brings them to the Maku Tree, who uses them to create a Huge Maku Seed that allows Link to enter Veran's Black Tower.[16] Link ascends the tower and defeats Veran. He rescues Queen Ambi, and Nayru tells him that all has returned to normal.[17] Twinrova, watching the scene remotely, states that Veran has lit the Flame of Sorrow.[18]

Linked endingEdit

If one game is played as a sequel to the other by a linked password, Twinrova captures Princess Zelda, lighting the Flame of Despair.[19] Link enters a warp point by the Maku Tree and faces Twinrova, who is attempting to use the three Flames to revive Ganon, the primary antagonist in the Zelda series. Link defeats both Twinrova and a mindless, poorly resurrected Ganon.[20] He frees Zelda, whose sacrifice would have been the full resurrection of Ganon; together, they exit the crumbling castle. After the credits, Link is seen waving to a crowd from a sailboat off the shore of a land with a castle in the background.

DevelopmentEdit

In early 1999, Yoshiki Okamoto, then head of Capcom's screenwriter subsidiary Flagship, proposed his idea of remaking the original The Legend of Zelda game for the Game Boy Color to Shigeru Miyamoto, the game designer at Nintendo who created the series.[21][22][23][24] Okamoto was eventually asked to develop six Zelda games for the Game Boy Color: two based on earlier installments and four original entries into the series.[22][25] Okamoto wanted to release them in quick succession of four to five months, and held on to his concept of bringing the first game to the handheld console to make young children experience the merits of the original Zelda, but also as a test for the development team to move on to a more ambitious sequel if it turned out to be successful.[21][26][27]

Contrary to Miyamoto's design mentality of creating the gameplay system first, development started out with the scenario writing, which Flagship was in charge of.[27] Some of the staff members, the team led by director and designer Hidemaro Fujibayashi that was responsible for tasks other than the storyline, wanted to skip the remake and create an original Zelda title right away.[21][25][27] As the first installment in the series was deemed too difficult for the new generation of players, more and more changes were applied to the point where it had an entirely different world map.[22] As a result, the team ran into problems because the scenario and the maps had to be reworked constantly to make all the modifications match.[27] The Game Boy Color's screen presented an additional hurdle when attempting to rework the earlier Zelda title as it is narrower than that of a television; players could not view an entire room without scrolling which made it easy to overlook stairways or clues on walls.[27]

Dismayed by the rate at which the team had been spending money for a year without results, Okamoto asked Miyamoto for help, who then came up with the idea of a whole trilogy of games, each with a different focus on gameplay elements.[22][27] This trilogy was referred to as the "Triforce Series",[28] named after a fictional holy relic known as the Triforce[29] that plays a major role in many Zelda titles. The Triforce is composed of three parts: the Triforces of Power, Wisdom, and Courage; each game in the trilogy was to be associated with a piece of the Triforce, one of the titles being the conversion of the original The Legend of Zelda.[29][30] The first game of the three was demonstrated at Nintendo's SpaceWorld trade show in 1999, under the working title Zelda no Densetsu: Fushigi no Kinomi – Chikara no Shō (ゼルダの伝説 ふしぎの木の実 ~力の章~).[31] This action-oriented game concerned Ganon's theft of Princess Zelda and the "Rod of the Seasons", which threw the seasons of Hyrule into chaos[32][33]—a precursor to the plot of Oracle of Seasons. In the playable demonstration, Link solved puzzles by using the Rod of the Seasons to manipulate the environment and change the current season. Chie no Shō, which focused on color-based puzzles, and Yūki no Shō, which used the times of day to solve puzzles in a mechanic similar to the use of seasons, were not shown.[28][29] In the US, the games became The Legend of Zelda: Mystical Seed of Power, Mystical Seed of Wisdom, and Mystical Seed of Courage.[34]

The games interacted with each other: players could begin with any of the three titles and have the actions of the first game affect the story of the other two, a concept conceived by Okamoto.[22][35] More than ten of Flagship's scenarists, among them Resident Evil writer Junichi Miyashita, worked simultaneously on the three stories.[22][36][37] The developers considered using a cell phone adapter to transfer data, but later decided on a password system.[28] The limitations of this system and the difficulty of coordinating three games proved too complicated, so the team scaled back to two titles at Miyamoto's suggestion.[27][38] Condensing the games into a single cartridge was never considered, as the prospect of multiple endings and the added replay value afforded by the ability to play the titles in either order was very attractive.[27] Oracle of Seasons was adapted from Mystical Seed of Power, Oracle of Ages was adapted from Mystical Seed of Wisdom, and Mystical Seed of Courage was canceled.[28]

These sweeping design changes pushed the release dates closer to the upcoming release of the Game Boy Advance (GBA), the next system in the Game Boy line that is backward compatible with Game Boy Color games. The team considered adding special functionality to the game triggered only when played on a GBA, but was afraid that the additional development time required for the addition would cause the games to be released after the GBA.[27] When the release date of the GBA was postponed, the team was able to incorporate GBA functionality and still release the games approximately a month before the GBA was released.[27] Staggered releases were abandoned in favor of releasing the two games simultaneously. This made it easier for the team to test the interaction between the games and keep the style consistent.[27] Each title was shipped on an 8-megabit (16-megabit in Europe) cartridge.[39][40] The music for the games was composed by two employees of the Japanese music and sound effect production company Pure Sound, credited under the pseudonyms "M-Adachi" and "Kyopi".[41] Nintendo artist and series regular Yusuke Nakano designed the characters for the two titles, and incorporated previous creations from Ocarina of Time into Oracle of Seasons and characters from Majora's Mask into Oracle of Ages.[41][42]

ReceptionEdit

Oracle of Seasons and Ages were critical and commercial successes, selling nearly 4 million copies each.[43][44] Reviews were strongly positive. Critics enjoyed the graphics, although the two share graphics to a large extent, Seasons is distinguished by swapping the color palette to reflect the current season. IGN felt that the expressive colors used for the changing seasons made Seasons the more graphically impressive of the two.[45]

Reviews of the audio were mixed. Reviewers noted that the sound was hampered by the poor quality of the Game Boy Color's speakers,[46] although it fared favorably compared with other games for the system.[47] The selection of songs was praised for complementing familiar Zelda songs and sounds with new music. The Zelda theme and the traditional sound effect played upon solving a puzzle were considered welcome additions, but other sound effects were criticized as simplistic "beeps".

MerchandiseEdit

GamebooksEdit

Two game books were released based on the games as part of the Nintendo You Decide on the Adventure series by Scholastic. Both were written by Craig Wessel and based on the events in the games with few minor differences. The first one, based on Oracle of Seasons, was published in October 2001.[48] The second, based on Oracle of Ages, was published in January 2002.[49]

ReferencesEdit

  1. The Legend of Zelda: Oracle of Ages instruction booklet, p. 28; and The Legend of Zelda: Oracle of Seasons instruction booklet, p. 28.
  2. The Legend of Zelda: Oracle of Seasons instruction booklet, p. 32.
  3. 3.0 3.1 Tremende (Seasons), p. 6.
  4. The Legend of Zelda: Oracle of Ages instruction booklet, p. 32.
  5. 5.0 5.1 5.2 5.3 Pelland, p. 124.
  6. Pelland, p. 120.
  7. 7.0 7.1 Pelland, p. 128.
  8. Pelland, p. 121.
  9. The Legend of Zelda: Oracle of Seasons instruction booklet, pp. 4–5.
  10. Tremende (Seasons), p. 5.
  11. Tremende (Seasons), p. 12.
  12. The Legend of Zelda: Oracle of Seasons. Din: The trials you faced to collect the Essences of Nature have made you a true hero! A new trial shall call you away soon, but we Oracles will always watch over you in secret...
  13. The Legend of Zelda: Oracle of Seasons. Twinrova: Onox has fallen, but the damage he has done to this land burns on in the Flame of Destruction!
  14. 14.0 14.1 The Legend of Zelda: Oracle of Ages instruction booklet, pp. 4–5.
  15. Tremende (Ages), p. 5.
  16. Tremende (Ages), p. 12.
  17. The Legend of Zelda: Oracle of Ages. Nayru: All is well in this age! You may return without worry.
  18. The Legend of Zelda: Oracle of Ages. Twinrova: Behold, Veran! The troubles you caused have filled the land with cries of sorrow! It has given birth to the Flame of Sorrow, which burns brightly!
  19. The Legend of Zelda: Oracle of Seasons/Oracle of Ages. Twinrova: We've found you, Princess Zelda! Hope for the people? We'll snuff it out! And you shall light the Flame of Despair!
  20. The Legend of Zelda: Oracle of Seasons/Oracle of Ages. Zelda: Since they could not sacrifice me in their final rite, the powers of darkness could only revive a mindless, raging Ganon.
  21. 21.0 21.1 21.2 https://www.nintendo.co.jp/nom/0102/interv03/index.html
  22. 22.0 22.1 22.2 22.3 22.4 22.5 date=December 1999 |title=The Legend of Zelda: Fruit of the Mystical Tree – Tale of Power Interview |journal=Total! |publisher=X-plain Verlag |language=German |pages=19
  23. http://game.watch.impress.co.jp/docs/20010411/capcom.htm
  24. https://web.archive.org/web/20040623204151/http://www.miyamotoshrine.com/theman/interviews/230403.shtml
  25. 25.0 25.1 http://www.ign.com/articles/1999/07/29/six-times-zelda
  26. http://www.ign.com/articles/1999/08/24/miyamoto-speaks-on-zelda-gbc
  27. 27.00 27.01 27.02 27.03 27.04 27.05 27.06 27.07 27.08 27.09 27.10 https://web.archive.org/web/20050311025108/http://www.nintendo.com/gamedev?gameid=m-Game-0000-314
  28. 28.0 28.1 28.2 28.3 http://gameboy.ign.com/objects/873/873036.html
  29. 29.0 29.1 29.2 http://gameboy.ign.com/articles/070/070512p1.html
  30. https://web.archive.org/web/19991128012746/http://nintendo.com/home/features/spaceworld/99/miyamoto4.html
  31. https://web.archive.org/web/20100925065054/http://www.nintendo.co.jp/n10/spacew99/itiran/gb/page03.html#25
  32. http://gameboy.ign.com/articles/069/069957p1.html
  33. https://web.archive.org/web/20010121185100/http://www.nintendo.com/home/features/spaceworld/99/zeldagb.html
  34. http://gameboy.ign.com/articles/079/079475p1.html
  35. http://gameboy.ign.com/articles/073/073926p1.html
  36. http://www.1101.com/nintendo/nin20/nin20_4.htm
  37. http://www.gpara.com/contents/creator/bn_134.htm
  38. http://gameboy.ign.com/articles/082/082498p1.html
  39. date=May 2001 | title=Now Playing | journal=Nintendo Power | volume=144 | pages=p. 117
  40. date=June 2001 | title=Now Playing | journal=Nintendo Power | volume=145 | pages=p. 114
  41. 41.0 41.1 title=The Legend of Zelda: Oracle of Seasons |developer=Nintendo |publisher=Nintendo of America, Inc. |date=May 14, 2001 |scene=staff credits
  42. https://www.nintendo.co.jp/nom/0102/interv02/index.html
  43. http://www.rpgamer.com/news/japan/rp033104.html
  44. https://web.archive.org/web/20051126100623/http://www.the-magicbox.com/game032504.shtml
  45. Cite error: Invalid <ref> tag; no text was provided for refs named IGN_Seasons_review
  46. Cite error: Invalid <ref> tag; no text was provided for refs named GamePro_Seasons_review
  47. Cite error: Invalid <ref> tag; no text was provided for refs named GamePro_Ages_review
  48. https://www.worldcat.org/search?qt=wikipedia&q=isbn%3A0439367107
  49. https://www.worldcat.org/search?qt=wikipedia&q=isbn%3A0439367093

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